Share this page!

Jimi Hendrix, an unparalleled guitar virtuoso and a transcendent figure in rock history, is surrounded by myths and legends that have etched their place in music history. His iconic presence on stage, innovative musical prowess, and boundless creativity have left an indelible mark on generations of music enthusiasts. This exploration delves into some of the most enduring myths and misconceptions surrounding the life and career of Jimi Hendrix.

Jimi Hendrix’s journey through the world of music was one of trailblazing artistry, pushing boundaries, and defying convention. As we delve into these myths and legends, we aim to unravel the complexities of this musical maestro, separating fact from fiction while celebrating the profound impact he had on the landscape of rock and roll.

From the belief that he played his guitar upside down due to his left-handedness to the iconic moment of setting his instrument on fire at the 1967 Monterey Pop Festival. Yet, beneath these myths lies the essence of an artist who broke free from traditional norms, forged new paths in music, and continually evolved his craft.

This exploration also dispels the notion that Hendrix was exclusively a solo artist, revealing the collaborative spirit that drove his music and led to the formation of influential bands such as the Jimi Hendrix Experience and the Band of Gypsys. It dismantles the myth that his music was solely characterized by psychedelia, showcasing the diverse genres and themes that permeated his work.

In essence, this examination peels back the layers of myth surrounding Jimi Hendrix, offering a comprehensive and engaging look into the truths that underlie the enduring legend of this musical genius.

Jimi Hendrix Myth 1: Playing Guitar Upside Down

Jimi Hendrix playing a rare Japanese guitar in 1967.
Jimi Hendrix with a unique Japanese guitar during the early years of his career in 1967.
Credit: Ray Stevenson / REX

Jimi Hendrix, often regarded as the greatest guitarists of all time, was known for his unique playing style. A prevalent myth suggests that Jimi Hendrix played his guitar upside down because he was left-handed. However, this myth needs clarification.

Jimi Hendrix’s unique approach to playing the guitar was influenced not only by his left-handedness but also by financial constraints faced by his family. Given the higher costs associated with left-handed guitars, which were less common, Jimi Hendrix and his family, already struggling financially, found it more practical for Jimi Hendrix to restring right-handed guitars in a way that accommodated his left-handed orientation. This ingenious adaptation not only broadened the range of guitars available to him but also played a pivotal role in molding the distinct and groundbreaking sound for which he would become renowned.

By restringing right-handed guitars, Jimi Hendrix created a configuration where the lower strings, typically used for bass notes, were on top. This allowed him to execute incredible string bends and utilize the guitar’s vibrato bar in innovative ways. His unorthodox approach contributed to his unparalleled ability to produce a rich and expressive sonic palette.

While the myth of playing upside down may persist, it is essential to understand that Jimi Hendrix’s guitar mastery was a result of his creativity, adaptability, and unbounded musical genius rather than any unconventional instrument orientation.

Jimi Hendrix Myth 2: The Stolen Fender Stratocaster

A persistent myth surrounding Jimi Hendrix involves the alleged theft of his iconic white Fender Stratocaster guitar. According to the legend, Jimi Hendrix’s beloved guitar was stolen from him after a gig in London, leading to a frantic search for its return.

The truth is a bit more nuanced. Jimi did lose his white Stratocaster, but it wasn’t stolen. In 1967, he left the guitar on a plane during a flight from Sweden to London. Distraught over the loss of his prized instrument, he offered a reward for its return. Fortunately, the guitar was found and returned to him by the airline.

This incident, however, significantly contributed to Jimi Hendrix’s mystique and the enduring mythos surrounding his guitars, especially during his iconic Woodstock performance. The white Stratocaster, often affectionately referred to as “Izabella,” continued to hold a central and mesmerizing role in his performances. Over the years, this legendary guitar not only retained its prominent place but also evolved into one of the most unmistakable and enduring symbols in the annals of rock history, forever associated with the magic of Woodstock.

The myth of the stolen Stratocaster persists because it underscores Jimi Hendrix’s deep connection to his instruments and the lengths he was willing to go to ensure their safety.

Jimi Hendrix Myth 3: Setting His Guitar on Fire at Monterey Pop Festival

Jimi Hendrix setting his guitar on fire live at Monterey 1967
Iconic moment as Jimi Hendrix sets his guitar ablaze during a live performance at Monterey in 1967. Credit: NME

One of the most iconic moments in rock history is Jimi Hendrix’s performance at the 1967 Monterey Pop Festival. While it’s widely believed that Jimi Hendrix set his guitar on fire during this performance, the story isn’t quite accurate.

Although Jimi Hendrix did use pyrotechnics in his act, he didn’t actually set his guitar on fire at Monterey. What did happen was a theatrical spectacle where, at the end of his set, Jimi knelt over his guitar, doused it in lighter fluid, and dramatically lit it on fire. The flaming guitar was held aloft briefly before being extinguished.

These theatrical antics became a hallmark of Jimi Hendrix’s live performances, but it’s important to clarify that he didn’t routinely sacrifice his instruments by setting them ablaze. Instead, it was a carefully choreographed moment meant to leave a lasting impression on the audience. Jimi Hendrix was a showman, and his fiery displays were more about pushing artistic boundaries.

Jimi Hendrix Myth 4: The 27 Death Club Curse

Collage of iconic 27 Club members: Janis Joplin, Kurt Cobain, Brian Jones, Jimi Hendrix, Jim Morrison, and Amy Winehouse.
Remembering the legendary members of the 27 Club: Janis Joplin, Kurt Cobain, Brian Jones, Jimi Hendrix, Jim Morrison, and Amy Winehouse. Credit: The Colorado Sound

The so-called “27 Club” refers to a group of influential musicians who all tragically died at the age of 27. Jimi Hendrix is one of the most prominent members of this club, alongside artists like Janis Joplin, Jim Morrison, and Kurt Cobain.

While it’s true that Jimi died at the young age of 27, the notion of a curse associated with this age group is more myth than reality. These deaths were primarily due to a combination of factors, including substance abuse, mental health issues, and the pressures of fame.

Jimi Hendrix’s death in 1970 was the result of asphyxiation due to vomit after consuming barbiturates, and it was ruled as accidental. While the coincidence of age among these musicians is eerie, it’s important to recognize that many other famous artists have lived well beyond the age of 27.

The “27 Club” myth can overshadow the individual struggles and complexities of these artists’ lives. It’s essential to remember them for their contributions to music and culture rather than reducing their stories to a superstition.

Jimi Hendrix Myth 5: The Flamboyant Stage Presence

One prevalent myth about Jimi Hendrix revolves around his onstage persona and the belief that he was an extravagantly flamboyant performer, constantly engaging in wild and unpredictable antics. While Jimi Hendrix was undoubtedly an electrifying presence on stage, this myth often exaggerates his behavior.

Jimi Hendrix was known for pushing boundaries with his guitar playing, incorporating feedback, distortion, and innovative techniques into his performances. He would sometimes play his guitar behind his back, with his teeth, or set it on fire, which did contribute to his reputation as a showman. However, these moments were carefully crafted parts of his act, designed to enhance the theatricality of his live shows.

In reality, Jimi Hendrix had a reserved and introspective side offstage. He was a dedicated musician who spent countless hours honing his craft and experimenting with his guitar. His on-stage persona was a deliberate artistic choice, a way to captivate audiences and create a unique experience during his performances.

It’s important to recognize that behind the stage persona, Jimi was a serious musician and a thoughtful artist. While he may have indulged in some showmanship, his true genius lay in his groundbreaking guitar work and innovative approach to music.

Jimi Hendrix Myth 6: He Was a Solo Artist

YouTube player
Jimi Hendrix as a band leader with the Band of Gypsys

One common misconception about Jimi Hendrix is that he was primarily a solo artist, single-handedly responsible for his iconic sound. While Jimi Hendrix was undoubtedly a musical genius and a virtuoso guitarist, his success was closely tied to collaborations with other talented musicians.

Throughout his career, Jimi Hendrix formed several influential bands, each contributing to the development of his unique sound. The most well-known of these was the Jimi Hendrix Experience, consisting of Jimi on guitar and vocals, Noel Redding on bass, and Mitch Mitchell on drums. This power trio played a crucial role in shaping the psychedelic rock sound of the late 1960s.

Additionally, during his later career phases, Jimi formed the Band of Gypsys, featuring Billy Cox on bass and Buddy Miles on drums. This ensemble leaned more towards funk and blues, highlighting Hendrix’s versatility as an artist.

Collaborations were not limited to his bands. Jimi Hendrix often worked with other renowned musicians, such as Steve Winwood, Dave Mason, and Johnny Winter. These collaborations brought diverse influences into his music and showcased his ability to adapt and evolve.

While Hendrix’s name rightly dominates discussions of his music, it’s important to recognize the significant contributions of the talented musicians who collaborated with him. His ability to surround himself with exceptional players was a testament to his openness to new ideas and sounds, which enriched his musical journey.

Jimi Hendrix Myth 7: Jimi Hendrix’s Music Was All About Psychedelia

Another common myth surrounding Jimi Hendrix’s music is that it was exclusively psychedelic, characterized by mind-altering substances and the counterculture of the 1960s. While Hendrix certainly embraced the psychedelic movement and its aesthetics, his music was far more diverse and multi-faceted than this stereotype suggests.

Hendrix’s music spanned various genres, including blues, rock, funk, and R&B. While tracks like “Purple Haze” and “Are You Experienced?” are emblematic of the psychedelic era, his repertoire included deeply soulful ballads like “Little Wing,” hard-hitting blues tunes like “Red House,” and funky, rhythm-driven tracks like “Foxy Lady.”

His ability to seamlessly blend these genres showcased his musical virtuosity and innovation. Hendrix was not confined to a single musical category; he was a genre-defying artist who constantly pushed boundaries.

Furthermore, his lyrics explored a wide range of themes beyond psychedelic experiences. He delved into topics like love, war, spirituality, and social issues. Songs like “The Wind Cries Mary” and “Machine Gun” demonstrate his lyrical depth and emotional resonance.

In essence, while Jimi Hendrix’s music was undoubtedly influenced by the psychedelic culture of the 1960s, it transcended those boundaries to become a timeless and eclectic body of work that continues to inspire and resonate with audiences of all generations. As he ventured into the funk and soul-infused sound with the Band of Gypsys and explored more jazz-oriented compositions in his final works before his untimely death, Hendrix’s musical journey remained dynamic and ever-evolving.



Is just a guy who got tired of bothering his friends talking about music, and decided to create a blog to write about what he loves the most.
0 0 votes
Article Rating
Subscribe
Notify of
guest
0 Comments
Inline Feedbacks
View all comments